<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8350551847958691321</id><updated>2011-11-27T16:01:50.880-08:00</updated><title type='text'>MusicalCriticism.com - the blog</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>75</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-3018113071368977589</id><published>2008-02-15T15:52:00.000-08:00</published><updated>2008-02-15T15:54:33.388-08:00</updated><title type='text'>Lucia di Lammermoor at ENO: Barry Banks and Anna Christy Interview</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_wivH2YZIcJk/R7YmL4sj4aI/AAAAAAAAABs/5SdipKoDxsg/s1600-h/banks-christy.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5167359608093925794" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_wivH2YZIcJk/R7YmL4sj4aI/AAAAAAAAABs/5SdipKoDxsg/s320/banks-christy.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;A final reminder of our interview with tenor Barry Banks and soprano Anna Christy about English National Opera's new production of Donizetti's Lucia di Lammermoor, which opens tomorrow night:&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/interviews/banks-christy-0208.shtml"&gt;http://www.musicalcriticism.com/interviews/banks-christy-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-3018113071368977589?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/3018113071368977589/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=3018113071368977589&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3018113071368977589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3018113071368977589'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/02/lucia-di-lammermoor-at-eno-barry-banks.html' title='Lucia di Lammermoor at ENO: Barry Banks and Anna Christy Interview'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_wivH2YZIcJk/R7YmL4sj4aI/AAAAAAAAABs/5SdipKoDxsg/s72-c/banks-christy.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-4084004503133122349</id><published>2008-02-10T09:07:00.000-08:00</published><updated>2008-02-10T09:14:01.615-08:00</updated><title type='text'>LSO, LPO and Philharmonia announce 2008-09 seasons; Natalie Dessay's Italian Opera Arias CD; Kate Royal in The Magic Flute at the ROH</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_wivH2YZIcJk/R68wyosj4ZI/AAAAAAAAABk/WDL7s_uSXDE/s1600-h/banks-christy.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5165400944093159826" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_wivH2YZIcJk/R68wyosj4ZI/AAAAAAAAABk/WDL7s_uSXDE/s320/banks-christy.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;It's been a bumper week for orchestral news in London. The LSO, LPO and Philharmonia have all announced their 2008-09 seasons, each of which includes at least one major themed series. &lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/news/phil-preview-0208.shtml"&gt;http://www.musicalcriticism.com/news/phil-preview-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/news/lso-preview-0208.shtml"&gt;http://www.musicalcriticism.com/news/lso-preview-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/news/lpo-preview-0208.shtml"&gt;http://www.musicalcriticism.com/news/lpo-preview-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;In addition, we've reviewed DVDs of Eugene Onegin with Renee Fleming and Das Rheingold with Karajan; CDs of The Bach Dynasty and Natalie Dessay in Italian Opera Arias; and Kate Royal and Christopher Maltman in Die Zauberflote at Covent Garden.&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-flute2-0208.shtml"&gt;http://www.musicalcriticism.com/opera/roh-flute2-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-dessay-italian-0208.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-dessay-italian-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;We've also interviewed soprano Anna Christy and tenor Barry Banks about ENO's first-ever production of Lucia di Lammermoor, which opens next Saturday. &lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/interviews/banks-christy-0208.shtml"&gt;http://www.musicalcriticism.com/interviews/banks-christy-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-4084004503133122349?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/4084004503133122349/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=4084004503133122349&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4084004503133122349'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4084004503133122349'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/02/lso-lpo-and-philharmonia-announce-2008.html' title='LSO, LPO and Philharmonia announce 2008-09 seasons; Natalie Dessay&apos;s Italian Opera Arias CD; Kate Royal in The Magic Flute at the ROH'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_wivH2YZIcJk/R68wyosj4ZI/AAAAAAAAABk/WDL7s_uSXDE/s72-c/banks-christy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-254929421898365087</id><published>2008-02-04T15:22:00.001-08:00</published><updated>2008-02-04T15:24:11.849-08:00</updated><title type='text'>Gustavo Dudamel and the Simon Bolivar Youth Orchestra of Venezuela headline the Royal Festival Hall's 08-09 season</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_wivH2YZIcJk/R6eeklbVrfI/AAAAAAAAABc/fuWUwM75V_M/s1600-h/rfh-preview-0208.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5163269849162821106" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_wivH2YZIcJk/R6eeklbVrfI/AAAAAAAAABc/fuWUwM75V_M/s320/rfh-preview-0208.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;The Southbank Centre has announced the line-up for its 2008-09 Shell Classic International Series.&lt;br /&gt;Featuring several of the world's greatest orchestras, conductors and soloists, it will see the Royal Festival Hall play host to several of the same orchestras as this season as well as a mouth-watering visit from the Vienna Philharmonic under Zubin Mehta, Pierre Boulez conducting his Ensemble Intercontemporain and Gustavo Dudamel leading the Simon Bolivar Youth Orchestra of Venezuala.&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/news/rfh-preview-0208.shtml"&gt;http://www.musicalcriticism.com/news/rfh-preview-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-254929421898365087?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/254929421898365087/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=254929421898365087&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/254929421898365087'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/254929421898365087'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/02/gustavo-dudamel-and-simon-bolivar-youth.html' title='Gustavo Dudamel and the Simon Bolivar Youth Orchestra of Venezuela headline the Royal Festival Hall&apos;s 08-09 season'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_wivH2YZIcJk/R6eeklbVrfI/AAAAAAAAABc/fuWUwM75V_M/s72-c/rfh-preview-0208.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-3208821771606035283</id><published>2008-02-04T13:52:00.000-08:00</published><updated>2008-02-04T13:54:55.689-08:00</updated><title type='text'>Fleming and Hvorostovsky in Decca's DVD of Eugene Onegin from the Met; The Mikado opens at ENO; The London Philharmonic announces the 08-09 season</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_wivH2YZIcJk/R6eJUlbVreI/AAAAAAAAABU/yWYgFxudHTQ/s1600-h/dvd-onegin-3.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5163246484540730850" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_wivH2YZIcJk/R6eJUlbVreI/AAAAAAAAABU/yWYgFxudHTQ/s320/dvd-onegin-3.jpg" border="0" /&gt;&lt;/a&gt; Wonderful new DVD of Eugene Onegin from the Met:&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/recordings/dvd-onegin-0208.shtml"&gt;http://www.musicalcriticism.com/recordings/dvd-onegin-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;The LPO announces 08-09:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/lpo-preview-0208.shtml"&gt;http://www.musicalcriticism.com/news/lpo-preview-0208.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Sarah Tynan and Robert Murray in ENO's The Mikado:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/eno-mikado-0208.shtml"&gt;http://www.musicalcriticism.com/opera/eno-mikado-0208.shtml&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-3208821771606035283?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/3208821771606035283/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=3208821771606035283&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3208821771606035283'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3208821771606035283'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/02/fleming-and-hvorostovsky-in-deccas-dvd.html' title='Fleming and Hvorostovsky in Decca&apos;s DVD of Eugene Onegin from the Met; The Mikado opens at ENO; The London Philharmonic announces the 08-09 season'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_wivH2YZIcJk/R6eJUlbVreI/AAAAAAAAABU/yWYgFxudHTQ/s72-c/dvd-onegin-3.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-7546167220906707297</id><published>2008-02-01T15:35:00.000-08:00</published><updated>2008-02-01T15:39:39.960-08:00</updated><title type='text'>Madam Butterfly opens at ENO; La traviata cast B at Covent Garden; LSO Live's new Mozart Requiem; Lang Lang on the South Bank Show</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_wivH2YZIcJk/R6OtsFbVrdI/AAAAAAAAABM/tBuyhGGJ0pY/s1600-h/eno-butterfly-2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5162160570779413970" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_wivH2YZIcJk/R6OtsFbVrdI/AAAAAAAAABM/tBuyhGGJ0pY/s320/eno-butterfly-2.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;Judith Howarth has opened in the ENO revival of Anthony Minghella's production of Puccini's Madam Butterfly:&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/opera/eno-butterfly-0208.shtml"&gt;http://www.musicalcriticism.com/opera/eno-butterfly-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;Norah Amsellem and Charles Castronovo star in Cast B of the ROH's revival of Verdi's La traviata:&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-traviata-b-0108.shtml"&gt;http://www.musicalcriticism.com/opera/roh-traviata-b-0108.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;Sir Colin Davis and the London Symphony Orchestra's new recording of Mozart's Requiem:&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-lso-mozart-requiem-0208.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-lso-mozart-requiem-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;News that Lang Lang will feature on the South Bank Show next weekend:&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/news/news-langlang-0208.shtml"&gt;http://www.musicalcriticism.com/news/news-langlang-0208.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-7546167220906707297?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/7546167220906707297/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=7546167220906707297&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7546167220906707297'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7546167220906707297'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/02/madam-butterfly-opens-at-eno-la.html' title='Madam Butterfly opens at ENO; La traviata cast B at Covent Garden; LSO Live&apos;s new Mozart Requiem; Lang Lang on the South Bank Show'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_wivH2YZIcJk/R6OtsFbVrdI/AAAAAAAAABM/tBuyhGGJ0pY/s72-c/eno-butterfly-2.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-961849631990197128</id><published>2008-01-28T17:20:00.000-08:00</published><updated>2008-01-28T17:24:11.778-08:00</updated><title type='text'>Opera Review: ROH The Magic Flute / Die Zauberflöte</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_wivH2YZIcJk/R55_xVbVrcI/AAAAAAAAABE/rFaCtxaPcpU/s1600-h/roh-flute-3.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5160702708555296194" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_wivH2YZIcJk/R55_xVbVrcI/AAAAAAAAABE/rFaCtxaPcpU/s320/roh-flute-3.JPG" border="0" /&gt;&lt;/a&gt; First night of David McVicar's production of The Magic Flute, now back at Covent Garden for the third revival:&lt;br /&gt;&lt;p&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-flute-0108.shtml"&gt;http://www.musicalcriticism.com/opera/roh-flute-0108.shtml&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Simon Keenlyside is always magnificent as Papageno, but it felt a bit like some of the other singers were resorting to stock gestures and to walking through the production. &lt;/p&gt;&lt;p&gt;The chorus didn't sing as lustily as is usual for them, and somehow there just wasn't the fire or warmth that Mackerras brought to the piece last time.&lt;/p&gt;Tomorrow: an interview with Sarah Tynan and Robert Murray about The Mikado at ENO.&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-961849631990197128?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/961849631990197128/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=961849631990197128&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/961849631990197128'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/961849631990197128'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/01/opera-review-roh-magic-flute-die.html' title='Opera Review: ROH The Magic Flute / Die Zauberflöte'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_wivH2YZIcJk/R55_xVbVrcI/AAAAAAAAABE/rFaCtxaPcpU/s72-c/roh-flute-3.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-8693301671286781520</id><published>2008-01-27T16:21:00.000-08:00</published><updated>2008-01-27T16:26:21.300-08:00</updated><title type='text'>An interview with Sarah Chang</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_wivH2YZIcJk/R50gdFbVrbI/AAAAAAAAAA8/10bvpW44RYY/s1600-h/chang-0108-2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5160316432081595826" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_wivH2YZIcJk/R50gdFbVrbI/AAAAAAAAAA8/10bvpW44RYY/s320/chang-0108-2.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;Our latest interview is an in-depth chat with the violinist &lt;strong&gt;Sarah Chang&lt;/strong&gt; about her career to date, her forthcoming appearance with the &lt;strong&gt;London Symphony Orchestra&lt;/strong&gt; in Shostakovich's First Violin Concerto, her new recording of Vivaldi's The Four Seasons and her love of London.&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;Read more here:&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/interviews/chang-0108.shtml"&gt;http://www.musicalcriticism.com/interviews/chang-0108.shtml&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Also, don't forget to read our latest CD reviews, which include:&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Gerald Finley's new Ives CD on Hyperion&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-finley-ives-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-finley-ives-0108.shtml&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Simon Rattle's new recording of Pictures at an Exhibition on EMI&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-rattle-mussorgsky-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-rattle-mussorgsky-0108.shtml&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Mozart's Davide penitente on Naxos&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-davide-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-davide-0108.shtml&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Tippett's Complete Piano Music on Hyperion&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-tippett-osborne-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-tippett-osborne-0108.shtml&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Coming this week:&lt;/div&gt;&lt;div&gt;The Magic Flute&lt;/div&gt;&lt;div&gt;Madam Butterfly&lt;/div&gt;&lt;div&gt;LPO/Adam Fischer&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-8693301671286781520?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/8693301671286781520/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=8693301671286781520&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8693301671286781520'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8693301671286781520'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/01/interview-with-sarah-chang.html' title='An interview with Sarah Chang'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_wivH2YZIcJk/R50gdFbVrbI/AAAAAAAAAA8/10bvpW44RYY/s72-c/chang-0108-2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-5677508888306319204</id><published>2008-01-24T04:27:00.000-08:00</published><updated>2008-01-24T04:31:25.347-08:00</updated><title type='text'>An interview with Simon Keenlyside about The Magic Flute</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_wivH2YZIcJk/R5iFBFbVraI/AAAAAAAAAA0/HeGLNxAOJrs/s1600-h/keenlyside-3.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5159019626836110754" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_wivH2YZIcJk/R5iFBFbVraI/AAAAAAAAAA0/HeGLNxAOJrs/s320/keenlyside-3.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;An interview with Britain's leading baritone, Simon Keenlyside, about forthcoming appearances in The Magic Flute, Don Carlo, Il barbiere di Siviglia and Wozzeck, plus his new disc of operetta arias.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Quite a number of tickets remain for the Covent Garden Flute performances, so now's your chance to witness Keenlyside at work in one of his greatest roles, Papageno. &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;Read the full story here:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/keenlyside-0108.shtml"&gt;http://www.musicalcriticism.com/interviews/keenlyside-0108.shtml&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-5677508888306319204?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/5677508888306319204/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=5677508888306319204&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/5677508888306319204'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/5677508888306319204'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/01/interview-with-simon-keenlyside-about.html' title='An interview with Simon Keenlyside about The Magic Flute'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_wivH2YZIcJk/R5iFBFbVraI/AAAAAAAAAA0/HeGLNxAOJrs/s72-c/keenlyside-3.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-7809497117786713281</id><published>2008-01-21T05:46:00.000-08:00</published><updated>2008-01-21T05:51:01.842-08:00</updated><title type='text'>BBC SO axes Composer Weekends in favour of Composer Days</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_wivH2YZIcJk/R5SjFAfV5_I/AAAAAAAAAAs/JZ5T8nv4-sM/s1600-h/bbcso-composer.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5157926779672193010" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_wivH2YZIcJk/R5SjFAfV5_I/AAAAAAAAAAs/JZ5T8nv4-sM/s320/bbcso-composer.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;In a surprise move, the BBCSO has announced that it will no longer continue its annual January Composer Weekends beyond 2008.&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Instead, there will be Composer Days scattered between January and March, next year focusing on Stockhausen, Murail and Xenakis.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;More here: &lt;a href="http://www.musicalcriticism.com/news/bbcso-composer-0108.shtml"&gt;http://www.musicalcriticism.com/news/bbcso-composer-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Any reactions to this decision?&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-7809497117786713281?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/7809497117786713281/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=7809497117786713281&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7809497117786713281'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7809497117786713281'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/01/bbc-so-axes-composer-weekends-in-favour.html' title='BBC SO axes Composer Weekends in favour of Composer Days'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_wivH2YZIcJk/R5SjFAfV5_I/AAAAAAAAAAs/JZ5T8nv4-sM/s72-c/bbcso-composer.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-4318680804601638922</id><published>2008-01-20T05:18:00.001-08:00</published><updated>2008-01-20T05:22:16.232-08:00</updated><title type='text'>Aimard's The Art of Fugue on Deutsche Grammophon</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_wivH2YZIcJk/R5NK8QfV5-I/AAAAAAAAAAk/-3JVi3emwzk/s1600-h/cd-aimard-bach.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5157548397348382690" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_wivH2YZIcJk/R5NK8QfV5-I/AAAAAAAAAAk/-3JVi3emwzk/s320/cd-aimard-bach.jpg" border="0" /&gt;&lt;/a&gt; An exciting new release this week of Pierre-Laurent Aimard's recording of Bach's The Art of Fugue on Deutsche Grammphon. &lt;div&gt;&lt;br /&gt;&lt;div&gt;Review:&lt;/div&gt;&lt;br /&gt;&lt;div&gt;'You have to wonder how happy the executives were at Deutsche Grammophon when their new star-signing, pianist Pierre-Laurent Aimard, plumped for Bach's elusive Art of Fugue for the first recording of his exclusive contract with the label. One can imagine from a pianist renowned for his intelligence, as well as formidable technique, this was unlikely to have been a choice of repertoire that was taken lightly.'&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;Read the full review here: &lt;a href="http://www.musicalcriticism.com/recordings/cd-aimard-bach-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-aimard-bach-0108.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-4318680804601638922?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/4318680804601638922/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=4318680804601638922&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4318680804601638922'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4318680804601638922'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/01/aimards-art-of-fugue-on-deutsche.html' title='Aimard&apos;s The Art of Fugue on Deutsche Grammophon'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_wivH2YZIcJk/R5NK8QfV5-I/AAAAAAAAAAk/-3JVi3emwzk/s72-c/cd-aimard-bach.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-647762351636382743</id><published>2008-01-19T13:39:00.000-08:00</published><updated>2008-01-19T13:48:44.125-08:00</updated><title type='text'>Anna Netrebko withdraws from another performance of Traviata at the ROH; Peter Grimes opens at Opera North; Julia Fischer on Pentatone</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_wivH2YZIcJk/R5JvaAfV59I/AAAAAAAAAAc/23kUgqn-WvY/s1600-h/on-grimes.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5157307015891380178" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_wivH2YZIcJk/R5JvaAfV59I/AAAAAAAAAAc/23kUgqn-WvY/s320/on-grimes.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;Sadly, the Royal Opera House has announced the indisposition of Anna Netrebko for the third performance of La traviata at 3pm tomorrow. I feel genuinely sorry for all those who have missed her interpretation of the role, which, although unorthodox in many respects, has just the visceral quality that is needed for the part:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/cast-change-netrebko-0108.shtml"&gt;http://www.musicalcriticism.com/news/cast-change-netrebko-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Phyllida Lloyd's award-winning production of Peter Grimes has returned to Opera North, currently at the Grand Theatre in Leeds. In February it will be seen in London at Sadler's Wells, where I saw it last year with great pleasure:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/on-grimes-0108.shtml"&gt;http://www.musicalcriticism.com/opera/on-grimes-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Finally, a highly-recommended new Mozart disc from Julia Fischer, Yakov Kreizberg and Gordan Nikolitch:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-fischer-mozart-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-fischer-mozart-0108.shtml&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-647762351636382743?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/647762351636382743/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=647762351636382743&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/647762351636382743'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/647762351636382743'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/01/anna-netrebko-withdraws-from-another.html' title='Anna Netrebko withdraws from another performance of Traviata at the ROH; Peter Grimes opens at Opera North; Julia Fischer on Pentatone'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_wivH2YZIcJk/R5JvaAfV59I/AAAAAAAAAAc/23kUgqn-WvY/s72-c/on-grimes.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-4774106219761853832</id><published>2008-01-17T03:35:00.000-08:00</published><updated>2008-01-17T03:37:32.325-08:00</updated><title type='text'>Soprano Judith Howarth chats about playing Madam Butterfly at ENO</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_wivH2YZIcJk/R489ygfV58I/AAAAAAAAAAU/XIuMQOvE__8/s1600-h/howarth-1.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5156408036286654402" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_wivH2YZIcJk/R489ygfV58I/AAAAAAAAAAU/XIuMQOvE__8/s320/howarth-1.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;An interview with lovely Judith Howarth about Cio-Cio-San in the Anthony Minghella production:&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/interviews/howarth-0108.shtml"&gt;http://www.musicalcriticism.com/interviews/howarth-0108.shtml&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Apparently it's selling fast, so go and book your tickets pronto!&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Later this week, look out for an interview with Simon Keenlyside.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-4774106219761853832?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/4774106219761853832/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=4774106219761853832&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4774106219761853832'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4774106219761853832'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/01/soprano-judith-howarth-chats-about.html' title='Soprano Judith Howarth chats about playing Madam Butterfly at ENO'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_wivH2YZIcJk/R489ygfV58I/AAAAAAAAAAU/XIuMQOvE__8/s72-c/howarth-1.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-5143851688590074561</id><published>2008-01-14T06:03:00.000-08:00</published><updated>2008-01-14T17:31:15.625-08:00</updated><title type='text'>ROH review: La traviata at the Royal Opera House, Covent Garden with Anna Netrebko, Dmitri Hvorostovsky and Jonas Kaufmann.</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_wivH2YZIcJk/R4uK3QfV57I/AAAAAAAAAAM/Rkh_zjnLhTk/s1600-h/roh-traviata-5-0108.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5155366880379529138" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_wivH2YZIcJk/R4uK3QfV57I/AAAAAAAAAAM/Rkh_zjnLhTk/s320/roh-traviata-5-0108.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;A review of the first night, featuring Anna Netrebko, Jonas Kaufmann (left) and Dmitri Hvorostovsky conducted by Maurizio Benini at Covent Garden, can be read here:&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-traviata-0108.shtml"&gt;http://www.musicalcriticism.com/opera/roh-traviata-0108.shtml&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-5143851688590074561?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/5143851688590074561/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=5143851688590074561&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/5143851688590074561'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/5143851688590074561'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/01/roh-review-la-traviata-at-royal-opera.html' title='ROH review: La traviata at the Royal Opera House, Covent Garden with Anna Netrebko, Dmitri Hvorostovsky and Jonas Kaufmann.'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_wivH2YZIcJk/R4uK3QfV57I/AAAAAAAAAAM/Rkh_zjnLhTk/s72-c/roh-traviata-5-0108.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-975304136047203280</id><published>2008-01-10T16:07:00.000-08:00</published><updated>2008-01-10T16:08:55.748-08:00</updated><title type='text'>Anna Netrebko in I Puritani; Roberto Alagna in Aida - DVDs</title><content type='html'>I Puritani from the Met:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/dvd-netrebko-puritani-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/dvd-netrebko-puritani-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Aida from La Scala:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/dvd-alagna-aida-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/dvd-alagna-aida-0108.shtml&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-975304136047203280?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/975304136047203280/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=975304136047203280&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/975304136047203280'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/975304136047203280'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/01/anna-netrebko-in-i-puritani-roberto.html' title='Anna Netrebko in I Puritani; Roberto Alagna in Aida - DVDs'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-2604963046363067127</id><published>2008-01-10T16:03:00.000-08:00</published><updated>2008-01-10T16:06:57.434-08:00</updated><title type='text'>Simon Keenlyside at Wigmore Hall,9 January 2008</title><content type='html'>Review of the redoubtable Simon Keenlyside at the Wigmore Hall on 9 January 2008:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/wigmore-keenlyside-0108.shtml"&gt;http://www.musicalcriticism.com/concerts/wigmore-keenlyside-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Welsh National Opera's 2008-09 season announced, including Dennis O'Neill, Amanda Roocroft, Rebecca Evans and Ann Murray:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/wno-preview-0108.shtml"&gt;http://www.musicalcriticism.com/news/wno-preview-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Bach Cello Suites on Harmonia Mundi:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-queyras-bach-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-queyras-bach-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;James Macmillan on LSO Live:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-lso-macmillan-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-lso-macmillan-0108.shtml&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-2604963046363067127?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/2604963046363067127/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=2604963046363067127&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2604963046363067127'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2604963046363067127'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/01/simon-keenlyside-at-wigmore-hall9.html' title='Simon Keenlyside at Wigmore Hall,9 January 2008'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-6825662735505059515</id><published>2008-01-03T16:15:00.000-08:00</published><updated>2008-01-03T16:23:41.723-08:00</updated><title type='text'>Nina Stemme cancels ROH Simon Boccanegra; Kristin Chenoweth sings Cunegonde in ENO Candide; Rake's Progress and Wozzeck DVDs on Opus Arte</title><content type='html'>Nina Stemme has cancelled her role debut as Amelia Grimaldi in the John Eliot Gardiner-conducted Simon Boccanegra at the ROH in May 2008; Kristin Chenoweth will sing Cunegonde in Candide at ENO in June:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/casting-stemme-chenoweth-0108.shtml"&gt;http://www.musicalcriticism.com/news/casting-stemme-chenoweth-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Robert Lepage's production of The Rake's Progress comes to Covent Garden in July; watch it first on DVD with Andrew Kennedy:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/dvd-rake-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/dvd-rake-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Calixto Bieto's production of Wozzeck on DVD:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/dvd-bieito-wozzeck-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/dvd-bieito-wozzeck-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Preview of London and UK concerts in January 2008:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/concerts-preview-0108.shtml"&gt;http://www.musicalcriticism.com/news/concerts-preview-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Kapp Family Orchestral Works on Chandos:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-kapp-jarvi-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-kapp-jarvi-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Renee Fleming as Violetta in Decca's DVD of La traviata:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/dvd-traviata-fleming-1207.shtml"&gt;http://www.musicalcriticism.com/recordings/dvd-traviata-fleming-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Piano Concerti by Melcer on Hyperion:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-melcer-concertos-1207.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-melcer-concertos-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Des Knaben Wunderhorn on Hyperion:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-genz-mahler-1207.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-genz-mahler-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Alwyn Piano Works on Naxos:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-alwyn-wass-0108.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-alwyn-wass-0108.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Herz's piano music on Hyperion:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-herz-piano-1207.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-herz-piano-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Handel's Esther, Tamerlano and Acis and Galatea and Bostridge's Great Handel:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-handel-1207.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-handel-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;La pietra del paragone on Naive:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/dvd-pietra-naive-1207.shtml"&gt;http://www.musicalcriticism.com/recordings/dvd-pietra-naive-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Volume 2 of Bavouzet's Debussy Piano Collection on Chandos:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-bavouzet-debussy2-1207.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-bavouzet-debussy2-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The finale of the Adelaide Ring -Götterdämmerung on Melba&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-adelaide-gd-1207.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-adelaide-gd-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The last concert in Gardiner's Bach Cantatas pilgrimage:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-bach-4-1207.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-bach-4-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;See more at &lt;a href="http://www.musicalcriticism.com/recordings/index.htm"&gt;http://www.musicalcriticism.com/recordings/index.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Coming Soon: Gergiev's Mahler, I puritani on DVD with Netrebko,  interview with Judith Howart on ENO's Madama Butterfly and much more!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-6825662735505059515?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/6825662735505059515/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=6825662735505059515&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6825662735505059515'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6825662735505059515'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2008/01/nina-stemme-cancels-roh-simon.html' title='Nina Stemme cancels ROH Simon Boccanegra; Kristin Chenoweth sings Cunegonde in ENO Candide; Rake&apos;s Progress and Wozzeck DVDs on Opus Arte'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-2420946795276929656</id><published>2007-12-17T17:40:00.000-08:00</published><updated>2007-12-17T17:42:21.274-08:00</updated><title type='text'>La Cenerentola opens at Covent Garden with Kozena, Corbelli and Spence</title><content type='html'>I absolutely love Rossini's La Cenerentola and I've seen it many times, which is perhaps why I'm so critical of it? I couldn't tell if the rest of the audience regarded this performance more highly than I did, but I know of at least one other  person who felt roughly the same.&lt;br /&gt;&lt;br /&gt;The review is here:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-cenerentola-1207.shtml"&gt;http://www.musicalcriticism.com/opera/roh-cenerentola-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;And a reminder of our interviews with Alessandro Corbelli and Toby Spence:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/corbelli-1207.shtml"&gt;http://www.musicalcriticism.com/interviews/corbelli-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/spence.shtml"&gt;http://www.musicalcriticism.com/interviews/spence.shtml&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-2420946795276929656?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/2420946795276929656/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=2420946795276929656&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2420946795276929656'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2420946795276929656'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/12/la-cenerentola-opens-at-covent-garden.html' title='La Cenerentola opens at Covent Garden with Kozena, Corbelli and Spence'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-680846374654231707</id><published>2007-12-17T08:32:00.000-08:00</published><updated>2007-12-17T17:47:22.819-08:00</updated><title type='text'>ROH Cenerentola</title><content type='html'>Review here:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-cenerentola-1207.shtml"&gt;http://www.musicalcriticism.com/opera/roh-cenerentola-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;In preparation for tonight's first night of La Cenerentola at the ROH, two interviews with members of the cast:&lt;br /&gt;&lt;br /&gt;Alessandro Corbelli:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/corbelli-1207.shtml"&gt;http://www.musicalcriticism.com/interviews/corbelli-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Toby Spence:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/spence.shtml"&gt;http://www.musicalcriticism.com/interviews/spence.shtml&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-680846374654231707?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/680846374654231707/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=680846374654231707&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/680846374654231707'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/680846374654231707'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/12/roh-cenerentola.html' title='ROH Cenerentola'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-8780450070434297011</id><published>2007-12-07T02:15:00.000-08:00</published><updated>2007-12-07T02:16:44.969-08:00</updated><title type='text'>Bernard Haitink returns to the ROH in Parsifal</title><content type='html'>Review here:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-parsifal-1207.shtml"&gt;http://www.musicalcriticism.com/opera/roh-parsifal-1207.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I think it's pretty shameful to have revived this production which nobody liked last time around. Couldn't they have bought another one in from somewhere?&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-8780450070434297011?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/8780450070434297011/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=8780450070434297011&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8780450070434297011'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8780450070434297011'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/12/bernard-haitink-returns-to-roh-in.html' title='Bernard Haitink returns to the ROH in Parsifal'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-5528951756750752165</id><published>2007-11-26T16:08:00.000-08:00</published><updated>2007-11-26T16:10:36.437-08:00</updated><title type='text'>New production of Turn of the Screw opens at ENO</title><content type='html'>I don't care what anyone else says, and the newspapers can give it one star and call it soulless and misguided if they want. I loved English National Opera's new production of The Turn of the Screw and I've already booked to see it again!&lt;br /&gt;&lt;br /&gt;Read my review here:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/eno-screw-1107.shtml"&gt;http://www.musicalcriticism.com/opera/eno-screw-1107.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Some new CD reviews:&lt;br /&gt;Andrew Manze Schubert &lt;a href="http://www.musicalcriticism.com/recordings/cd-manze-schubert-1107.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-manze-schubert-1107.shtml&lt;/a&gt;&lt;br /&gt;Takacs Quartet Brahms &lt;a href="http://www.musicalcriticism.com/recordings/cd-brahms-takacs-1107.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-brahms-takacs-1107.shtml&lt;/a&gt;&lt;br /&gt;Jon Vickers Four Portraits DVD: &lt;a href="http://www.musicalcriticism.com/recordings/dvd-vickers-scenes-1107.shtml"&gt;http://www.musicalcriticism.com/recordings/dvd-vickers-scenes-1107.shtml&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-5528951756750752165?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/5528951756750752165/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=5528951756750752165&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/5528951756750752165'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/5528951756750752165'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/11/new-production-of-turn-of-screw-opens.html' title='New production of Turn of the Screw opens at ENO'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-3039707046212460465</id><published>2007-11-23T16:16:00.001-08:00</published><updated>2007-11-23T16:18:20.799-08:00</updated><title type='text'>LSO/Gergiev Mahler Symphony Cycle continues with the Sixth</title><content type='html'>Una-Frances evidently enjoyed the latest installment, coupled with Tishchenko's Cello Concerto played by Tim Hugh:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/lso-gergiev-mahler-1107.shtml"&gt;http://www.musicalcriticism.com/concerts/lso-gergiev-mahler-1107.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Tomorrow: Chelsea Opera Group's Maria Stuarda, Scottish Opera's Il Seraglio, plus several CD reviews.&lt;br /&gt;&lt;br /&gt;D.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-3039707046212460465?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/3039707046212460465/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=3039707046212460465&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3039707046212460465'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3039707046212460465'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/11/lsogergiev-mahler-symphony-cycle.html' title='LSO/Gergiev Mahler Symphony Cycle continues with the Sixth'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-4519759381820147151</id><published>2007-11-22T15:21:00.000-08:00</published><updated>2007-11-22T15:24:37.294-08:00</updated><title type='text'>An interview with Ian Bostridge; Korngold's Das Wunder der Heliane; Croesus at Opera North; Masur in Leeds</title><content type='html'>An interview with Ian Bostridge on his forthcoming 'Homeward Bound' series:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/bostridge-1107.shtml"&gt;http://www.musicalcriticism.com/interviews/bostridge-1107.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The UK Premiere of Korngold's Das Wunder der Heliane:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/lpo-heliane-1107.shtml"&gt;http://www.musicalcriticism.com/concerts/lpo-heliane-1107.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Fortunes of King Croesus at Opera North:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/on-croesus-1107.shtml"&gt;http://www.musicalcriticism.com/opera/on-croesus-1107.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Kurt Masur and the Orchestre National de France in Leeds:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/onf-masur-1107.shtml"&gt;http://www.musicalcriticism.com/concerts/onf-masur-1107.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A strong cast for Maria Stuarda at Chelsea Opera Group:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/cog-1107.shtml"&gt;http://www.musicalcriticism.com/news/cog-1107.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A reminder of Ann Murray's interview on ENO's new Turn of the Screw:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/murray-1107.shtml"&gt;http://www.musicalcriticism.com/interviews/murray-1107.shtml&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-4519759381820147151?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/4519759381820147151/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=4519759381820147151&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4519759381820147151'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4519759381820147151'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/11/interview-with-ian-bostridge-korngolds.html' title='An interview with Ian Bostridge; Korngold&apos;s Das Wunder der Heliane; Croesus at Opera North; Masur in Leeds'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-281554193539651523</id><published>2007-11-21T11:03:00.000-08:00</published><updated>2007-11-21T11:16:22.836-08:00</updated><title type='text'>Ann Murray on ENO's new production of The Turn of the Screw; reviews of CDs and DVDs; Scottish Chamber Orchestra</title><content type='html'>Read an interview with Ann Murray DBE on playing Mrs Grose in ENO's new production of The Turn of the Screw: &lt;a href="http://www.musicalcriticism.com/interviews/murray-1107.shtml"&gt;http://www.musicalcriticism.com/interviews/murray-1107.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;An alternative short extra review of the Royal Opera's new production of L'elisir d'amore, this time with Dmitri Korchak as Nemorino: &lt;a href="http://www.musicalcriticism.com/opera/roh-elisir-2-1107.shtml"&gt;http://www.musicalcriticism.com/opera/roh-elisir-2-1107.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Catch up on CD and DVD reviews, including Anna Moffo in Madama Butterfly, Genia Kuhmeier in The Creation (EMI),  and Colin Currie's new CD, here: &lt;a href="http://www.musicalcriticism.com/recordings/index.htm"&gt;http://www.musicalcriticism.com/recordings/index.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-281554193539651523?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/281554193539651523/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=281554193539651523&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/281554193539651523'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/281554193539651523'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/11/ann-murray-on-enos-new-production-of.html' title='Ann Murray on ENO&apos;s new production of The Turn of the Screw; reviews of CDs and DVDs; Scottish Chamber Orchestra'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-1207603423979039683</id><published>2007-11-15T12:24:00.000-08:00</published><updated>2007-11-15T12:27:48.484-08:00</updated><title type='text'>New L'elisir d'amore opens at Royal Opera House, Covent Garden; CDs of Dmitri Hvorostovsky and Max Emanuel Cencic; Opera North's Butterfly/Falstaff</title><content type='html'>A number of new articles, including the ROH's new production of L'elisir d'amore:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-elisir.shtml"&gt;http://www.musicalcriticism.com/opera/roh-elisir.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Dmitri Hvorostovsky's new CD:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-dmitri-heroes.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-dmitri-heroes.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Itzhak Perlman at the Barbican:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/barbican-perlman.shtml"&gt;http://www.musicalcriticism.com/concerts/barbican-perlman.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Opera North:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/on-butterfly.shtml"&gt;http://www.musicalcriticism.com/opera/on-butterfly.shtml&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/on-falstaff.shtml"&gt;http://www.musicalcriticism.com/opera/on-falstaff.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Pavarotti in Luisa Miller CD:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-luisa-miller.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-luisa-miller.shtml&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-1207603423979039683?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/1207603423979039683/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=1207603423979039683&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1207603423979039683'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1207603423979039683'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/11/new-lelisir-damore-opens-at-royal-opera.html' title='New L&apos;elisir d&apos;amore opens at Royal Opera House, Covent Garden; CDs of Dmitri Hvorostovsky and Max Emanuel Cencic; Opera North&apos;s Butterfly/Falstaff'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-6362477472776173114</id><published>2007-11-12T02:54:00.000-08:00</published><updated>2007-11-12T03:15:28.196-08:00</updated><title type='text'>ENO's new Aida; Sibelius chez Salonen and Elder; Paolo Gavanelli interview on L'elisir d'amore; interview with Claire Rutter and John Hudson; CDs</title><content type='html'>It's massive update time again:&lt;br /&gt;&lt;br /&gt;ENO's new Aida:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/eno-aida.htm"&gt;http://www.musicalcriticism.com/opera/eno-aida.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Interview with Claire Rutter and John Hudson on ENO's new Aida:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/rutter-hudson.htm"&gt;http://www.musicalcriticism.com/interviews/rutter-hudson.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Interview with the great Paolo Gavanelli on Donizetti's L'elisir d'amore:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/gavanelli.htm"&gt;http://www.musicalcriticism.com/interviews/gavanelli.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Hugo's reviews of all four of Salonen's Sibelius concerts at the Barbican:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/salonen-sibelius2.htm"&gt;http://www.musicalcriticism.com/concerts/salonen-sibelius2.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/salonen-sibelius1.htm"&gt;http://www.musicalcriticism.com/concerts/salonen-sibelius1.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Mark Elder and the Halle doing Sibelius: The Origin of Fire in Manchester:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/halle-sibelius.shtml"&gt;http://www.musicalcriticism.com/concerts/halle-sibelius.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Hugo on the completion of Schubert's 'Unfinished':&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/rfh-oae-jurowski.htm"&gt;http://www.musicalcriticism.com/concerts/rfh-oae-jurowski.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Agnes on Mark Elder's celebration of the Elgar anniversary with the LPO:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/rfh-lpo-elder.htm"&gt;http://www.musicalcriticism.com/concerts/rfh-lpo-elder.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Una-Frances' feature on the Sibelius anniversary:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/sibelius.htm"&gt;http://www.musicalcriticism.com/news/sibelius.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Patrizia Ciofi in Bellini's La straniera at the RFH for Opera Rara:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/or-straniera.htm"&gt;http://www.musicalcriticism.com/opera/or-straniera.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;ENO's new production of The Coronation of Poppea with Kate Royal:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/eno-poppea.htm"&gt;http://www.musicalcriticism.com/opera/eno-poppea.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Cardiff Singer of the world Rosenblatt Song Prize winner Elizabeth Watts in Handel's Semele:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/eoc-semele.htm"&gt;http://www.musicalcriticism.com/opera/eoc-semele.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Alex Reedijk, director of Scottish Opera, on the Five:15 project:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/scottish-opera-5-15.htm"&gt;http://www.musicalcriticism.com/news/scottish-opera-5-15.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Barbican announces details of their 2008-09 season, including several Handel operas and oratorios, a residency with the Leipzig Gewandhaus Orchestra and Riccardo Chailly, Simon Keenlyside, Angelika Kirchschlager and much more:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/barbican-2008.htm"&gt;http://www.musicalcriticism.com/news/barbican-2008.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;John Eliot Gardiner embarks on his Brahms cycle with the ORR:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/rfh-jeg-brahms.htm"&gt;http://www.musicalcriticism.com/concerts/rfh-jeg-brahms.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Mary reviews two concerts in Edinburgh:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/rsno-clein"&gt;http://www.musicalcriticism.com/concerts/rsno-clein&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/sco-brahms.htm"&gt;http://www.musicalcriticism.com/concerts/sco-brahms.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CDs&lt;/strong&gt;&lt;br /&gt;Vivaldi's Atenaide on Naive:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-atenaide.shtml"&gt;http://www.musicalcriticism.com/recordings/cd-atenaide.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Amanda Roocroft's sensational new CD on Onyx, including Tchaikovsky songs:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-roocroft.htm"&gt;http://www.musicalcriticism.com/recordings/cd-roocroft.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;DVD review of The Callas Conversations Vol II on EMI:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/dvd-callas-conversations.htm"&gt;http://www.musicalcriticism.com/recordings/dvd-callas-conversations.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Lang Lang plays Beethoven's First and Fourth Piano Concertoson Deutsche Grammophon:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-langlang-beethoven.htm"&gt;http://www.musicalcriticism.com/recordings/cd-langlang-beethoven.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Boulez's new recording of Mahler's Eighth:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-boulez-mahler-8.htm"&gt;http://www.musicalcriticism.com/recordings/cd-boulez-mahler-8.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;All these and many more can be found on MusicalCriticism.com:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/"&gt;http://www.musicalcriticism.com/&lt;/a&gt;&lt;br /&gt;Concerts:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/index.htm"&gt;http://www.musicalcriticism.com/concerts/index.htm&lt;/a&gt;&lt;br /&gt;Opera:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/index.htm"&gt;http://www.musicalcriticism.com/opera/index.htm&lt;/a&gt;&lt;br /&gt;Interviews:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/index.htm"&gt;http://www.musicalcriticism.com/interviews/index.htm&lt;/a&gt;&lt;br /&gt;Recordings:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/index.htm"&gt;http://www.musicalcriticism.com/recordings/index.htm&lt;/a&gt;&lt;br /&gt;News:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/index.htm"&gt;http://www.musicalcriticism.com/news/index.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-6362477472776173114?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/6362477472776173114/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=6362477472776173114&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6362477472776173114'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6362477472776173114'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/11/enos-new-aida-sibelius-chez-salonen-and.html' title='ENO&apos;s new Aida; Sibelius chez Salonen and Elder; Paolo Gavanelli interview on L&apos;elisir d&apos;amore; interview with Claire Rutter and John Hudson; CDs'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-8751022281295600410</id><published>2007-10-10T15:16:00.000-07:00</published><updated>2007-10-10T15:29:06.250-07:00</updated><title type='text'>September-October 2007: The ROH Ring, ENO's Carmen, Interviews with Rosalind Plowright, Andrew Kennedy and Laurence Cummings</title><content type='html'>I've just got back from an extraordinary week at the Royal Opera House, where Keith Warner's amazing production saw through some musical dips:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-rheingold.htm"&gt;http://www.musicalcriticism.com/opera/roh-rheingold.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-walkure.htm"&gt;http://www.musicalcriticism.com/opera/roh-walkure.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-siegfried.htm"&gt;http://www.musicalcriticism.com/opera/roh-siegfried.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-twilight.htm"&gt;http://www.musicalcriticism.com/opera/roh-twilight.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Meanwhile, my review of ENO's new production of Carmen by Sally Potter has caused undue controversy:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/eno-carmen.htm"&gt;http://www.musicalcriticism.com/opera/eno-carmen.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Hugo enjoyed The Magic Flute at ENO, the last revival of the Hytner production, as well as the Chicago Symphony Orchestra with Riccardo Muti:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/eno-flute.htm"&gt;http://www.musicalcriticism.com/opera/eno-flute.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/cso-muti.htm"&gt;http://www.musicalcriticism.com/concerts/cso-muti.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A dull start to the ROH season with Iphigenie en Tauride:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-iphigenie.htm"&gt;http://www.musicalcriticism.com/opera/roh-iphigenie.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Fantastic interviews with Sally Potter, Rosalind Plowright, Andrew Kennedy, Krzystof Szumanski and Laurence Cummings:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/kennedy.htm"&gt;http://www.musicalcriticism.com/interviews/kennedy.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/plowright.htm"&gt;http://www.musicalcriticism.com/interviews/plowright.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/cummings.htm"&gt;http://www.musicalcriticism.com/interviews/cummings.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/potter.htm"&gt;http://www.musicalcriticism.com/interviews/potter.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/szumanski.htm"&gt;http://www.musicalcriticism.com/interviews/szumanski.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;We've had some excellent and not so excellent CDs to review lately, including albums by Gheorghiu, Florez and Royal, Rene Jacobs' recording of Don Giovanni and Ariane et Barbe-Bleue by Dukas:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-gheorghiu-scala.htm"&gt;http://www.musicalcriticism.com/recordings/cd-gheorghiu-scala.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-royal.htm"&gt;http://www.musicalcriticism.com/recordings/cd-royal.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-florez-rubini.htm"&gt;http://www.musicalcriticism.com/recordings/cd-florez-rubini.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/jacobs-don-giovanni.htm"&gt;http://www.musicalcriticism.com/recordings/jacobs-don-giovanni.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/dukas-ariane.htm"&gt;http://www.musicalcriticism.com/recordings/dukas-ariane.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-bach-3.htm"&gt;http://www.musicalcriticism.com/recordings/cd-bach-3.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-offenbach.htm"&gt;http://www.musicalcriticism.com/recordings/cd-offenbach.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-dinnerstein-bach.htm"&gt;http://www.musicalcriticism.com/recordings/cd-dinnerstein-bach.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/Kancheli_Styx.htm"&gt;http://www.musicalcriticism.com/recordings/Kancheli_Styx.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/Tomter_Mozart.htm"&gt;http://www.musicalcriticism.com/recordings/Tomter_Mozart.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Finally, we enjoyed concerts celebrating Sir Colin Davis' 80th birthday and the start of the LPO's 75th anniversary season:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/lso-requiem.htm"&gt;http://www.musicalcriticism.com/concerts/lso-requiem.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/lpo-klagende.htm"&gt;http://www.musicalcriticism.com/concerts/lpo-klagende.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/lso-kissin-beethoven.htm"&gt;http://www.musicalcriticism.com/concerts/lso-kissin-beethoven.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Don't forget to keep checking back soon for reviews of Dmitri Hvorostovsky, Donizetti's Rita, Dido and Aeneas, the student Rheingold performance, and much more!&lt;br /&gt;&lt;br /&gt;Dominic&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-8751022281295600410?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/8751022281295600410/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=8751022281295600410&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8751022281295600410'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8751022281295600410'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/10/september-october-2007-roh-ring-enos.html' title='September-October 2007: The ROH Ring, ENO&apos;s Carmen, Interviews with Rosalind Plowright, Andrew Kennedy and Laurence Cummings'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-7324842938518961818</id><published>2007-09-11T13:38:00.000-07:00</published><updated>2007-09-11T13:42:48.680-07:00</updated><title type='text'>BBC Proms 2007 Retrospective</title><content type='html'>Check out the website for our BBC Proms 2007 Retrospective&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/proms-review-2007.htm"&gt;http://www.musicalcriticism.com/news/proms-review-2007.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;What are your views on the 2007 season? Did Nicholas Kenyon leave on a high? And how will Roger Wright Fare next year? Post your comments here!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-7324842938518961818?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/7324842938518961818/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=7324842938518961818&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7324842938518961818'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7324842938518961818'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/09/bbc-proms-2007-retrospective.html' title='BBC Proms 2007 Retrospective'/><author><name>Una-Frances Clarke</name><uri>http://www.blogger.com/profile/15900077726757998261</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-7948900696586890959</id><published>2007-09-01T15:22:00.000-07:00</published><updated>2007-09-01T15:24:58.986-07:00</updated><title type='text'>Susan Graham interview on Iphigenie en Tauride at the Royal Opera House, Covent Garden</title><content type='html'>I've just posted my interview with the lovely Susan Graham, who's appearing in Gluck's Iphigenie en Tauride at the Royal Opera House, Covent Garden, from 10 September 2007. It's full of insights about her approach to the role and Robert Carsen's production.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/graham.htm"&gt;You can read the article by clicking here.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-7948900696586890959?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/7948900696586890959/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=7948900696586890959&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7948900696586890959'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7948900696586890959'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/09/susan-graham-interview-on-iphigenie-en.html' title='Susan Graham interview on Iphigenie en Tauride at the Royal Opera House, Covent Garden'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-8688383695884171793</id><published>2007-08-25T08:25:00.000-07:00</published><updated>2007-08-25T08:29:23.623-07:00</updated><title type='text'>New-look MusicalCriticism.com!</title><content type='html'>Hello everyone,&lt;br /&gt;&lt;br /&gt;Check out the new-look MusicalCriticism.com for all the latest news, reviews, interviews and features on classical music and opera in the UK and beyond.&lt;br /&gt;&lt;br /&gt;Current reviews include most of the final three weeks of the Proms; recordings of Mozart operas, Koessler chamber music and Verdi's Il trovatore from Bregenz;&lt;br /&gt; and an interview with Sicilian tenor Marcello Giordani on &lt;br /&gt;singing Berlioz's La damnation de Faust.&lt;br /&gt;&lt;br /&gt;Join us at &lt;a href="http://www.musicalcriticism.com/"&gt;www.musicalcriticism.com&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;and join our new Facebook account to enter the debate.&lt;br /&gt;&lt;a href="http://www.facebook.com/group.php?gid=3360267477"&gt;http://www.facebook.com/group.php?gid=3360267477&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Dominic McHugh&lt;br /&gt;Editor&lt;br /&gt;MusicalCriticism.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-8688383695884171793?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/8688383695884171793/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=8688383695884171793&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8688383695884171793'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8688383695884171793'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/08/new-look-musicalcriticismcom.html' title='New-look MusicalCriticism.com!'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-9029565645409860241</id><published>2007-07-28T12:53:00.000-07:00</published><updated>2007-07-28T12:54:17.224-07:00</updated><title type='text'>Viktoria Mullova plays Bach</title><content type='html'>Not an overwhelming success in Hugo's opinion, Mullova's Bach CD nevertheless gained a 5 star review and was record of the month for the BBC Music Magazine:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-mullova-bach.htm"&gt;http://www.musicalcriticism.com/recordings/cd-mullova-bach.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-9029565645409860241?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/9029565645409860241/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=9029565645409860241&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/9029565645409860241'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/9029565645409860241'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/viktoria-mullova-plays-bach.html' title='Viktoria Mullova plays Bach'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-7341172095090520194</id><published>2007-07-28T12:51:00.002-07:00</published><updated>2007-07-28T12:52:13.584-07:00</updated><title type='text'>Prom 14: The Seasons</title><content type='html'>Hugo's inaugural live review for us was an outstanding performance of Haydn's lesser known oratorio by Roger Norrington:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/prom-14-0707.htm"&gt;http://www.musicalcriticism.com/concerts/prom-14-0707.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-7341172095090520194?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/7341172095090520194/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=7341172095090520194&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7341172095090520194'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7341172095090520194'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/prom-14-seasons.html' title='Prom 14: The Seasons'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-2017952749224482847</id><published>2007-07-28T12:51:00.001-07:00</published><updated>2007-07-28T12:51:21.575-07:00</updated><title type='text'>Prom 13: Brett Dean</title><content type='html'>A world premiere by Brett Dean overshadows Beethoven 7:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/prom-13-0707.htm"&gt;http://www.musicalcriticism.com/concerts/prom-13-0707.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-2017952749224482847?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/2017952749224482847/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=2017952749224482847&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2017952749224482847'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2017952749224482847'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/prom-13-brett-dean.html' title='Prom 13: Brett Dean'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-2053092103186840566</id><published>2007-07-28T12:49:00.000-07:00</published><updated>2007-07-28T12:50:51.336-07:00</updated><title type='text'>Prom 15: Verdi's Macbeth</title><content type='html'>I realise that for many this was a wonderful evening, but I sat through it with the critical edition of the score in my hands and wondered many times where certain gestures, tempi and note lengths were coming from:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/prom-15-0707.htm"&gt;http://www.musicalcriticism.com/concerts/prom-15-0707.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-2053092103186840566?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/2053092103186840566/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=2053092103186840566&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2053092103186840566'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2053092103186840566'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/prom-15-verdis-macbeth.html' title='Prom 15: Verdi&apos;s Macbeth'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-747311431428253508</id><published>2007-07-28T12:48:00.000-07:00</published><updated>2007-07-28T12:49:55.161-07:00</updated><title type='text'>La traviata at Opera Holland Park</title><content type='html'>I rather liked Holland Park's production of Traviata. Unlike Richard Eyre's heavy ROH production, it has a light touch that is in keeping with the opera itself:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/ohp-traviata.htm"&gt;http://www.musicalcriticism.com/opera/ohp-traviata.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-747311431428253508?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/747311431428253508/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=747311431428253508&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/747311431428253508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/747311431428253508'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/la-traviata-at-opera-holland-park.html' title='La traviata at Opera Holland Park'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-8710208274380592557</id><published>2007-07-28T12:47:00.000-07:00</published><updated>2007-07-28T12:48:29.249-07:00</updated><title type='text'>American Jubilee: CD review</title><content type='html'>Erich Kunzel conducts the Cincinnati Pops Orchestra - sometimes ponderously - in American music:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-jubilee.htm"&gt;http://www.musicalcriticism.com/recordings/cd-jubilee.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-8710208274380592557?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/8710208274380592557/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=8710208274380592557&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8710208274380592557'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8710208274380592557'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/american-jubilee-cd-review.html' title='American Jubilee: CD review'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-5892949739300700723</id><published>2007-07-28T12:46:00.000-07:00</published><updated>2007-07-28T12:47:32.856-07:00</updated><title type='text'>Prom 19: Halle/Elder - Strauss, Britten and Nielsen</title><content type='html'>Evidently a mixed affair, not helped by the late indisposition of Lisa Milne:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/prom-19-0707.htm"&gt;http://www.musicalcriticism.com/concerts/prom-19-0707.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-5892949739300700723?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/5892949739300700723/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=5892949739300700723&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/5892949739300700723'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/5892949739300700723'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/prom-19-halleelder-strauss-britten-and.html' title='Prom 19: Halle/Elder - Strauss, Britten and Nielsen'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-6901876432910584206</id><published>2007-07-28T12:40:00.000-07:00</published><updated>2007-07-28T12:41:18.103-07:00</updated><title type='text'>L'amore dei tre Re opens at Opera Holland Park</title><content type='html'>One of the highlights of the year: Opera Holland Park have uncovered a lost masterpiece:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/ohp-re.htm"&gt;http://www.musicalcriticism.com/opera/ohp-re.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-6901876432910584206?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/6901876432910584206/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=6901876432910584206&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6901876432910584206'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6901876432910584206'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/lamore-dei-tre-re-opens-at-opera.html' title='L&apos;amore dei tre Re opens at Opera Holland Park'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-3134648281673902064</id><published>2007-07-17T08:33:00.001-07:00</published><updated>2007-07-17T08:34:13.160-07:00</updated><title type='text'>The Making of Music review</title><content type='html'>Hugo waded through all six hours of James Naughtie's new history of music:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-making-of-music.htm"&gt;http://www.musicalcriticism.com/recordings/cd-making-of-music.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-3134648281673902064?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/3134648281673902064/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=3134648281673902064&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3134648281673902064'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3134648281673902064'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/making-of-music-review.html' title='The Making of Music review'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-2598654273006716860</id><published>2007-07-17T08:32:00.001-07:00</published><updated>2007-07-17T08:33:34.843-07:00</updated><title type='text'>Lucio Silla DVD and Madama Butterfly CD</title><content type='html'>The sensational latest release from ROH Heritage: Victoria de los Angeles in Madama Butterfly:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-roh-butterfly.htm"&gt;http://www.musicalcriticism.com/recordings/cd-roh-butterfly.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Not a captivating production, but a musically riveting DVD of Mozart's early opera seria Lucio Silla from Salzburg:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/dvd-silla.htm"&gt;http://www.musicalcriticism.com/recordings/dvd-silla.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-2598654273006716860?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/2598654273006716860/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=2598654273006716860&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2598654273006716860'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2598654273006716860'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/lucio-silla-dvd-and-madama-butterfly-cd.html' title='Lucio Silla DVD and Madama Butterfly CD'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-8331676272325933829</id><published>2007-07-17T08:30:00.000-07:00</published><updated>2007-07-17T08:31:21.591-07:00</updated><title type='text'>Rigoletto: Royal Opera House, Patrizia Ciofi</title><content type='html'>A very mixed affair, the opening night of the current revival of Rigoletto at Covent Garden:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-rigoletto.htm"&gt;http://www.musicalcriticism.com/opera/roh-rigoletto.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-8331676272325933829?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/8331676272325933829/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=8331676272325933829&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8331676272325933829'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8331676272325933829'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/rigoletto-royal-opera-house-patrizia.html' title='Rigoletto: Royal Opera House, Patrizia Ciofi'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-4113350986783511015</id><published>2007-07-17T08:29:00.000-07:00</published><updated>2007-07-17T08:30:33.809-07:00</updated><title type='text'>Cosi fan tutte: Royal Opera House, Colin Davis, Thomas Allen, Rebecca Evans</title><content type='html'>An excellent opening night for the latest revival of Jonathan Miller's production of Cosi fan tutte:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-cosi.htm"&gt;http://www.musicalcriticism.com/opera/roh-cosi.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-4113350986783511015?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/4113350986783511015/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=4113350986783511015&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4113350986783511015'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4113350986783511015'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/cosi-fan-tutte-royal-opera-house-colin.html' title='Cosi fan tutte: Royal Opera House, Colin Davis, Thomas Allen, Rebecca Evans'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-7395171376323468789</id><published>2007-07-17T08:27:00.001-07:00</published><updated>2007-07-17T08:29:16.386-07:00</updated><title type='text'>Ana James: interview with the Jette Parker Young Artist</title><content type='html'>&lt;a href="http://www.musicalcriticism.com/interviews/james.htm"&gt;http://www.musicalcriticism.com/interviews/james.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;It was good to catch up with Royal Opera Young Artist Ana James.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-7395171376323468789?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/7395171376323468789/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=7395171376323468789&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7395171376323468789'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7395171376323468789'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/ana-james-interview-with-jette-parker.html' title='Ana James: interview with the Jette Parker Young Artist'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-3600383629165039595</id><published>2007-07-17T08:26:00.000-07:00</published><updated>2007-07-17T08:27:32.770-07:00</updated><title type='text'>First night of the Proms 2007: BBC Prom 1:</title><content type='html'>William attended the First Night of the Proms, an evidently mixed affair, with Beethoven's Ninth Symphony and Elgar's Cello Concerto only partially successful:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/prom-1-0707.htm"&gt;http://www.musicalcriticism.com/concerts/prom-1-0707.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-3600383629165039595?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/3600383629165039595/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=3600383629165039595&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3600383629165039595'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3600383629165039595'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/first-night-of-proms-2007-bbc-prom-1.html' title='First night of the Proms 2007: BBC Prom 1:'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-1967296268008849176</id><published>2007-07-17T08:24:00.000-07:00</published><updated>2007-07-17T08:26:01.437-07:00</updated><title type='text'>Prom 4 review: Antonio Pappano, Colin Lee, Joyce DiDonato, Janice Watson, Academy of Sanata Cecilia, Rome, BBC Proms</title><content type='html'>&lt;p&gt;&lt;a href="http://www.musicalcriticism.com/concerts/prom-4-0707.htm"&gt;http://www.musicalcriticism.com/concerts/prom-4-0707.htm&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Although it's hard to get to grips with Berio's Sinfonia, the second half of this Prom was astonishing. &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-1967296268008849176?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/1967296268008849176/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=1967296268008849176&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1967296268008849176'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1967296268008849176'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/prom-4-review-antonio-pappano-colin-lee.html' title='Prom 4 review: Antonio Pappano, Colin Lee, Joyce DiDonato, Janice Watson, Academy of Sanata Cecilia, Rome, BBC Proms'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-6402784016898056130</id><published>2007-07-07T08:27:00.001-07:00</published><updated>2007-07-07T08:30:59.659-07:00</updated><title type='text'>Bryn Terfel in Sweeney Todd; Rebecca Evans, Patrizia Ciofi and Lawrence Brownlee interviews; CD label launch</title><content type='html'>First of all, a reminder to enter our exciting competition:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/bbc-naughtie-competition.htm"&gt;http://www.musicalcriticism.com/news/bbc-naughtie-competition.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;It's been another busy week. I thoroughly enjoyed listening to the new release from Michael Storrs Music, the new CD label:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-stolen-notes.htm"&gt;http://www.musicalcriticism.com/recordings/cd-stolen-notes.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I was disappointed by the RFH's Sweeney Todd starring Bryn Terfel:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/rfh-sweeney.htm"&gt;http://www.musicalcriticism.com/opera/rfh-sweeney.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I enjoyed interviewing Rebecca Evans, Patrizia Ciofi and Lawrence Brownlee:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/evans.htm"&gt;http://www.musicalcriticism.com/interviews/evans.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/ciofi.htm"&gt;http://www.musicalcriticism.com/interviews/ciofi.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/brownlee.htm"&gt;http://www.musicalcriticism.com/interviews/brownlee.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Don't forget the competition! The prizes are great.&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/bbc-naughtie-competition.htm"&gt;http://www.musicalcriticism.com/news/bbc-naughtie-competition.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Until next time, take care.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-6402784016898056130?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/6402784016898056130/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=6402784016898056130&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6402784016898056130'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6402784016898056130'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/bryn-terfel-in-sweeney-todd-rebecca.html' title='Bryn Terfel in Sweeney Todd; Rebecca Evans, Patrizia Ciofi and Lawrence Brownlee interviews; CD label launch'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-7431971321481513406</id><published>2007-07-05T08:41:00.000-07:00</published><updated>2007-07-05T08:51:52.620-07:00</updated><title type='text'>The big update...</title><content type='html'>It has been a time of hyperactivity here at MusicalCriticism.com, and the blog hasn't been updated for ages! Still, there's plenty to enjoy from the worlds of opera and classical music in the UK.&lt;br /&gt;&lt;br /&gt;First of all, don't miss the opportunity to enter our competition to win a copy of James Naughtie's new history of music for the BBC. This six-CD set is a fabulous prize!&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/bbc-naughtie-competition.htm"&gt;http://www.musicalcriticism.com/news/bbc-naughtie-competition.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Tosca opened at the Royal Opera House the other night, with Violeta Urmana in the title role:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-tosca.htm"&gt;http://www.musicalcriticism.com/opera/roh-tosca.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Michael Ball was dazzling - a real stage animal - in the ill-fated Kismet at ENO:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/eno-kismet.htm"&gt;http://www.musicalcriticism.com/opera/eno-kismet.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Colin Davis once more excelled in Berlioz, performing Benvenuto Cellini with the LSO:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/lso-cellini.htm"&gt;http://www.musicalcriticism.com/opera/lso-cellini.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I interviewed the absolutely gorgeous Welsh soprano Rebecca Evans about her forthcoming appearance as Despina in Cosi fan tutte at the ROH - her last time in the role - as well as talking about the first time she met Bryn Terfel (before he was famous!):&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/evans.htm"&gt;http://www.musicalcriticism.com/interviews/evans.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;We review Stolen Notes, the CD from the new record label Michael Storrs Music - all great Verdi arias and excerpts:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-stolen-notes.htm"&gt;http://www.musicalcriticism.com/recordings/cd-stolen-notes.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Renee Fleming returned to London to sing the title role in Massenet's Thais in concert at the ROH:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-thais.htm"&gt;http://www.musicalcriticism.com/opera/roh-thais.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Alfred Brendel joined Christoph von Dohnanyif or Beethoven at the newly refurbished Royal Festival Hall:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/philharmonia-brendel.htm"&gt;http://www.musicalcriticism.com/concerts/philharmonia-brendel.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Opera Holland Park excelled in Rossini's The Barber of Seville:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/ohp-barbiere.htm"&gt;http://www.musicalcriticism.com/opera/ohp-barbiere.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Una-Frances reviewed Marin Alsop's unusual presentation of The Rite of Spring:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/lpo-rite.htm"&gt;http://www.musicalcriticism.com/concerts/lpo-rite.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;and Agnes heard Charles Mackerras and Mitsuko Uchida performing Mozart and Janacek:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/philharmonia-sinfonietta.htm"&gt;http://www.musicalcriticism.com/concerts/philharmonia-sinfonietta.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;In the next week, expect reviews of Rigoletto, Sweeney Todd, Lakme and the First Night of the Proms, as well as interviews with Lawrence Brownlee about singing Rossini's Stabat Mater at the Proms and Patrizia Ciofi on Rigoletto at Covent Garden!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-7431971321481513406?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/7431971321481513406/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=7431971321481513406&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7431971321481513406'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7431971321481513406'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/07/big-update.html' title='The big update...'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-1645721919674007665</id><published>2007-06-23T02:28:00.001-07:00</published><updated>2007-06-23T02:33:23.567-07:00</updated><title type='text'>ROH Katya Kabanova; Violeta Urmana interview on Tosca; Madama Butterfly at Scottish Opera; CDs</title><content type='html'>Another busy week at MusicalCriticism.com.&lt;br /&gt;&lt;br /&gt;Agnes saw Katya Kabanova at the Royal Opera House on Tuesday, in what may be Charles Mackerras' final performance of the piece:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-katya.htm"&gt;http://www.musicalcriticism.com/opera/roh-katya.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I interviewed Violeta Urmana about singing Tosca at Covent Garden:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/urmana.htm"&gt;http://www.musicalcriticism.com/interviews/urmana.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Mary reviewed Madama Butterfly in Edinburgh:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/sco-butterfly.htm"&gt;http://www.musicalcriticism.com/opera/sco-butterfly.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I was wowed by one of the latest ROH Heritage recordings - Solti's third production as ROH Music Director, Don Giovanni:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cd-roh-giovanni.htm"&gt;http://www.musicalcriticism.com/recordings/cd-roh-giovanni.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;We reported on cast changes in this week's LSO performances of Benvenuto Cellini and ROH Thais:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/cast-changes-thais.htm"&gt;http://www.musicalcriticism.com/news/cast-changes-thais.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Shen Yang was crowned Cardiff Singer of the World:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/cardiff-2007.htm"&gt;http://www.musicalcriticism.com/news/cardiff-2007.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Rosalind Plowright, Stuart Burrows and Emma Kirkby were honoured by the Queen:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/birthday-honours-2007.htm"&gt;http://www.musicalcriticism.com/news/birthday-honours-2007.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I reviewed a peculiar DVD of Sergiu Celibidache conducting Mozart and Schubert:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/dvd-celibidache.htm"&gt;http://www.musicalcriticism.com/recordings/dvd-celibidache.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Keep reading!&lt;br /&gt;&lt;br /&gt;Dominic&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-1645721919674007665?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/1645721919674007665/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=1645721919674007665&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1645721919674007665'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1645721919674007665'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/06/roh-katya-kabanova-violeta-urmana.html' title='ROH Katya Kabanova; Violeta Urmana interview on Tosca; Madama Butterfly at Scottish Opera; CDs'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-6930941440317168545</id><published>2007-06-15T15:36:00.000-07:00</published><updated>2007-06-15T15:41:22.167-07:00</updated><title type='text'>New CDs; LSO/Gergiev; Schiff Festival</title><content type='html'>Una-Frances wrote her first review, of the LSO and Valery Gergiev performing Petrushka:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/lso-petrushka.htm"&gt;http://www.musicalcriticism.com/concerts/lso-petrushka.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Agnes provided a summation of her thoughts on the Schiff-Mikrokosmos Quartet's Bartok Festival:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/bartok-festival-2007.htm"&gt;http://www.musicalcriticism.com/concerts/bartok-festival-2007.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;William reviewed the Halle's latest CD, with Mark Elder conducting Wagner to vivid effect:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/halle-wagner.htm"&gt;http://www.musicalcriticism.com/recordings/halle-wagner.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Mary reviewed the Nash Ensemble's Brahms CD:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/nash-brahms.htm"&gt;http://www.musicalcriticism.com/recordings/nash-brahms.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Oh yes, and me. I previewed Scottish Opera's 2007-08 season in anticipation of Mary's reviews next week:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/scottish-opera-2007.htm"&gt;http://www.musicalcriticism.com/news/scottish-opera-2007.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I regretted not enjoying the Vasari Singers' latest CD:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/vasari-pott.htm"&gt;http://www.musicalcriticism.com/recordings/vasari-pott.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Don't forget the Cardiff Singer of the World Blog. Jacques Imbrailo was absolutely robbed tonight!:&lt;br /&gt;&lt;a href="http://cardiffsingeroftheworld.blogspot.com/"&gt;http://cardiffsingeroftheworld.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Until next time...keep reading!&lt;br /&gt;Dominic&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-6930941440317168545?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/6930941440317168545/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=6930941440317168545&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6930941440317168545'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6930941440317168545'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/06/new-cds-lsogergiev-schiff-festival.html' title='New CDs; LSO/Gergiev; Schiff Festival'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-6798381523194188954</id><published>2007-06-12T01:42:00.000-07:00</published><updated>2007-06-12T01:45:20.971-07:00</updated><title type='text'>La clemenza di Tito; Don Giovanni</title><content type='html'>David McVicar's production of Mozart's penultimate opera returned to ENO:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/eno-tito.htm"&gt;http://www.musicalcriticism.com/opera/eno-tito.htm&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;Francesca Zambello's production of Don Giovanni returned to Covent Garden with a mixed cast:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/roh-giovanni.htm"&gt;http://www.musicalcriticism.com/opera/roh-giovanni.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-6798381523194188954?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/6798381523194188954/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=6798381523194188954&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6798381523194188954'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6798381523194188954'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/06/la-clemenza-di-tito-don-giovanni.html' title='La clemenza di Tito; Don Giovanni'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-1905254008113358415</id><published>2007-06-07T13:28:00.000-07:00</published><updated>2007-06-07T13:31:43.344-07:00</updated><title type='text'>Opera Holland Park re-opens; Charities Philharmonia</title><content type='html'>It was good to see that the new canopy and foyer spaces at Holland Park Opera have retained the best of the old while bringing a new lease of life to proceedings. I especially like the new seats!&lt;br /&gt;&lt;br /&gt;The opening production of Nabucco had its odd points but was genuinely stirring:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/ohp-nabucco.htm"&gt;http://www.musicalcriticism.com/opera/ohp-nabucco.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Jenufa is unmissable for its stars, Anne Sophie Duprels and Anne Mason:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/ohp-jenufa.htm"&gt;http://www.musicalcriticism.com/opera/ohp-jenufa.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Meanwhile, over at St John's Smith Square, we caught up with the latest concert by the Charities Philharmonia:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/charities-young-2.htm"&gt;http://www.musicalcriticism.com/concerts/charities-young-2.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-1905254008113358415?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/1905254008113358415/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=1905254008113358415&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1905254008113358415'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1905254008113358415'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/06/opera-holland-park-re-opens-charities.html' title='Opera Holland Park re-opens; Charities Philharmonia'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-7721122642533421086</id><published>2007-06-04T12:42:00.000-07:00</published><updated>2007-06-04T12:44:36.279-07:00</updated><title type='text'>Elgar's The Kingdom: Halle/Elder</title><content type='html'>An interesting evening at the Bridgewater Hall with Elgar's third oratorio. I'm not sure it competes with The Dream of Gerontius in my affections, but it was worth a hearing to say the least:&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-7721122642533421086?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/7721122642533421086/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=7721122642533421086&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7721122642533421086'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7721122642533421086'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/06/elgars-kingdom-halleelder.html' title='Elgar&apos;s The Kingdom: Halle/Elder'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-1517302342991858120</id><published>2007-06-03T04:12:00.000-07:00</published><updated>2007-06-03T04:15:06.922-07:00</updated><title type='text'>Elgar in his Kingdom: Halle/Elder</title><content type='html'>Another outstanding evening from the Halle at the top of their game in the Second Symphony and Cello Concerto of Elgar:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/halle-elgar-1.htm"&gt;http://www.musicalcriticism.com/concerts/halle-elgar-1.htm &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-1517302342991858120?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/1517302342991858120/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=1517302342991858120&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1517302342991858120'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1517302342991858120'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/06/elgar-in-his-kingdom-halleelder.html' title='Elgar in his Kingdom: Halle/Elder'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-3108484940241982155</id><published>2007-06-01T14:17:00.000-07:00</published><updated>2007-06-01T14:23:13.273-07:00</updated><title type='text'>Kyle Ketelsen interview; Death in Venice at ENO; Jansons' recording of Mahler 1; Royal Opera House buys Opus Arte DVD</title><content type='html'>I enjoyed catching up again with Kyle Ketelsen, the American bass whose recent appearances in Orlando and Figaro at Covent Garden were memorable. He's back to play Leporello in Don Giovanni and I also chatted to him about doing Escamillo in next year's revival of Carmen:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/ketelsen.htm"&gt;http://www.musicalcriticism.com/interviews/ketelsen.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Agnes caught up with the second performance of ENO's new production of Death in Venice, directed by Deborah Warner and starring Ian Bostridge; new Music Director Edward Gardner showed promise in the pit:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/venice.htm"&gt;http://www.musicalcriticism.com/opera/venice.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;In exciting news, the Royal Opera House announced the takeover of Opus Arte DVD productions, the wider ramifications of which I discussed in my news article:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/roh-opus-arte.htm"&gt;http://www.musicalcriticism.com/news/roh-opus-arte.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Finally, yet another 5-star rated CD. Yes, there have been a few of them lately, but can I help it if everything is great?! Mariss Jansons truly gets to the heart of Mahler's First Symphony with the Royal Concertgebouw:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/jansons-mahler.htm"&gt;http://www.musicalcriticism.com/recordings/jansons-mahler.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Coming soon: reviews of the Halle Orchestra's Elgar weekend, the LSO's latest CD, opera in Scotland and a revival of Don Giovanni at Covent Garden. Stay tuned, Dominic.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-3108484940241982155?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/3108484940241982155/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=3108484940241982155&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3108484940241982155'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3108484940241982155'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/06/kyle-ketelsen-interview-death-in-venice.html' title='Kyle Ketelsen interview; Death in Venice at ENO; Jansons&apos; recording of Mahler 1; Royal Opera House buys Opus Arte DVD'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-689745670316829886</id><published>2007-05-27T13:46:00.001-07:00</published><updated>2007-05-27T13:46:37.545-07:00</updated><title type='text'>Ailish Tynan interview</title><content type='html'>Interview with the Irish soprano Ailish Tynan:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/tynan.htm"&gt;http://www.musicalcriticism.com/interviews/tynan.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-689745670316829886?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/689745670316829886/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=689745670316829886&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/689745670316829886'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/689745670316829886'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/05/ailish-tynan-interview.html' title='Ailish Tynan interview'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-5278735555255596818</id><published>2007-05-27T13:43:00.000-07:00</published><updated>2007-05-27T13:45:42.846-07:00</updated><title type='text'>Fidelio at Covent Garden; Colin Davis; Stiffelio with Domingo on DVD;</title><content type='html'>Fidelio at Covent Garden with Mattila:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/fidelio.htm"&gt;http://www.musicalcriticism.com/opera/fidelio.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Orfeo in the Lufthansa Festival:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/orfeo-2.htm"&gt;http://www.musicalcriticism.com/opera/orfeo-2.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;ECO/Davis:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/eco-davis.htm"&gt;http://www.musicalcriticism.com/concerts/eco-davis.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Stiffelio with Domingo on DVD:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/stiffelio.htm"&gt;http://www.musicalcriticism.com/recordings/stiffelio.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Opera North 2007-8, including a Shakespeare fest:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/opera-north-2007.htm"&gt;http://www.musicalcriticism.com/news/opera-north-2007.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-5278735555255596818?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/5278735555255596818/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=5278735555255596818&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/5278735555255596818'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/5278735555255596818'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/05/fidelio-at-covent-garden-colin-davis.html' title='Fidelio at Covent Garden; Colin Davis; Stiffelio with Domingo on DVD;'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-2933065909777974461</id><published>2007-05-22T06:35:00.000-07:00</published><updated>2007-05-22T06:39:36.411-07:00</updated><title type='text'>Jordi Savall; Strauss Lieder; La donna del lago; Bartok Two-piano music</title><content type='html'>5-star review of Jordi Savall's viola da gamba concert at the Lufthansa Festival of Baroque Music:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/sjss-savall.htm"&gt;www.musicalcriticism.com/concerts/sjss-savall.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Opera Rara's new release of La donna del lago from last year's Edinburgh Festival:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/donna.htm"&gt;www.musicalcriticism.com/recordings/donna.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Anne Schwanewilms sings Strauss Lieder - Hyperion's Complete Strauss Lieder Vol 2:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/schwanewilms-strauss.htm"&gt;www.musicalcriticism.com/recordings/schwanewilms-strauss.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Bartok music for two pianos:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/mandarin.htm"&gt;www.musicalcriticism.com/recordings/mandarin.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Check back soon for reviews of Colin Davis and the ECO, Orfeo at SJSS, Death in Venice and Fidelio at Covent Garden&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-2933065909777974461?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/2933065909777974461/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=2933065909777974461&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2933065909777974461'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2933065909777974461'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/05/jordi-savall-strauss-lieder-la-donna.html' title='Jordi Savall; Strauss Lieder; La donna del lago; Bartok Two-piano music'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-2295465409702097350</id><published>2007-05-14T13:32:00.000-07:00</published><updated>2007-05-14T13:34:07.661-07:00</updated><title type='text'>Oedipus Rex (LSO/Gergiev); Solomon (SJSS)</title><content type='html'>Solomon at the Lufthansa Festival of Baroque Music:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/solomon.htm"&gt;www.musicalcriticism.com/concerts/solomon.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Oedipus Rex at the Barbican with the LSO:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/lso-oedipus.htm"&gt;www.musicalcriticism.com/concerts/lso-oedipus.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-2295465409702097350?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/2295465409702097350/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=2295465409702097350&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2295465409702097350'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2295465409702097350'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/05/oedipus-rex-lsogergiev-solomon-sjss.html' title='Oedipus Rex (LSO/Gergiev); Solomon (SJSS)'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-1838659392737798546</id><published>2007-05-13T06:09:00.000-07:00</published><updated>2007-05-13T06:11:05.815-07:00</updated><title type='text'>Pelleas at Covent Garden; Gerald Finley interview; Berg Quartet; Pauline Viardot CD</title><content type='html'>First night of Covent Garden's new production of Pelleas and Melisande:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/pelleas.htm"&gt;www.musicalcriticism.com/opera/pelleas.htm&lt;/a&gt;  &lt;br /&gt;&lt;br /&gt;Gerald Finley interview:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/finley.htm"&gt;www.musicalcriticism.com/interviews/finley.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Alban Berg Quartet at the Queen Elizabeth Hall:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/berg.htm"&gt;www.musicalcriticism.com/concerts/berg.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Pauline Viardot Opera Rara CD:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/viardot.htm"&gt;www.musicalcriticism.com/recordings/viardot.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-1838659392737798546?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/1838659392737798546/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=1838659392737798546&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1838659392737798546'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1838659392737798546'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/05/pelleas-at-covent-garden-gerald-finley.html' title='Pelleas at Covent Garden; Gerald Finley interview; Berg Quartet; Pauline Viardot CD'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-4401943085139953193</id><published>2007-04-26T14:27:00.000-07:00</published><updated>2007-04-26T14:29:10.940-07:00</updated><title type='text'>Owen Wingrave and Murray Perahia</title><content type='html'>The Royal Opera's new production of Owen Wingrave in the Linbury Studio Theatre:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/wingrave.htm"&gt;www.musicalcriticism.com/opera/wingrave.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Murray Perahia's concert at the Barbican Hall:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/perahia.htm"&gt;www.musicalcriticism.com/concerts/perahia.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-4401943085139953193?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/4401943085139953193/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=4401943085139953193&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4401943085139953193'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4401943085139953193'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/owen-wingrave-and-murray-perahia.html' title='Owen Wingrave and Murray Perahia'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-4073410496018472430</id><published>2007-04-24T02:57:00.000-07:00</published><updated>2007-04-24T02:58:22.164-07:00</updated><title type='text'>On the Town</title><content type='html'>ENO's 2005 production of Leonard Bernstein's On the Town returned to the Coliseum last night:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/town.htm"&gt;www.musicalcriticism.com/opera/town.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Not to be missed!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-4073410496018472430?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/4073410496018472430/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=4073410496018472430&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4073410496018472430'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4073410496018472430'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/on-town.html' title='On the Town'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-8702154629666785744</id><published>2007-04-22T15:20:00.000-07:00</published><updated>2007-04-22T15:21:37.487-07:00</updated><title type='text'>Giulio Cesare at the Barbican; La finta giardiniera from Salzburg (DVD)</title><content type='html'>Rene Jacobs conducts Giulio Cesare at the Barbican:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/cesare.htm"&gt;www.musicalcriticism.com/opera/cesare.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;La finta giardiniera DVD (Deutsche Grammophon):&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/finta.htm"&gt;www.musicalcriticism.com/recordings/finta.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-8702154629666785744?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/8702154629666785744/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=8702154629666785744&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8702154629666785744'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8702154629666785744'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/giulio-cesare-at-barbican-la-finta.html' title='Giulio Cesare at the Barbican; La finta giardiniera from Salzburg (DVD)'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-1720607991768259996</id><published>2007-04-21T16:13:00.000-07:00</published><updated>2007-04-21T16:14:17.626-07:00</updated><title type='text'>Netrebko and Villazon Duets; Dom Sebastien</title><content type='html'>New CD reviews:&lt;br /&gt;&lt;br /&gt;Rolando Villazon and Anna Netrebko duet their way through Verdi, Massenet, Bizet and others:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/netrebko-villazon.htm"&gt;http://www.musicalcriticism.com/recordings/netrebko-villazon.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Donizetti's last opera, Dom Sebastien, roi de Portugal, comes in a sublime live recording from Covent Garden:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/sebastien.htm"&gt;http://www.musicalcriticism.com/recordings/sebastien.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-1720607991768259996?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/1720607991768259996/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=1720607991768259996&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1720607991768259996'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1720607991768259996'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/netrebko-and-villazon-duets-dom.html' title='Netrebko and Villazon Duets; Dom Sebastien'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-8300610049103219994</id><published>2007-04-21T01:27:00.000-07:00</published><updated>2007-04-21T01:29:22.116-07:00</updated><title type='text'>Stiffelio returns to Covent Garden</title><content type='html'>After a twelve-year absence, Verdi's sixteenth opera returns to the Royal Opera House with Jose Cura in the title role:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/stiffelio.htm"&gt;www.musicalcriticism.com/opera/stiffelio.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-8300610049103219994?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/8300610049103219994/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=8300610049103219994&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8300610049103219994'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/8300610049103219994'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/stiffelio-returns-to-covent-garden.html' title='Stiffelio returns to Covent Garden'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-2412578565237988492</id><published>2007-04-19T16:54:00.001-07:00</published><updated>2007-04-19T16:54:51.368-07:00</updated><title type='text'>Anthony Michaels-Moore in concert</title><content type='html'>St John's, Smith Square&lt;br /&gt;&lt;br /&gt;Recital with Anthony Michaels-Moore:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/amm.htm" spellchecked="true"&gt;http://www.musicalcriticism.com/concerts/amm.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-2412578565237988492?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/2412578565237988492/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=2412578565237988492&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2412578565237988492'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2412578565237988492'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/anthony-michaels-moore-in-concert.html' title='Anthony Michaels-Moore in concert'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-3194144080165681873</id><published>2007-04-18T14:31:00.000-07:00</published><updated>2007-04-18T14:33:47.932-07:00</updated><title type='text'>Jacques Imbrailo on Owen Wingrave</title><content type='html'>The young baritone, who is this year's South African entrant for the prestigious Cardiff Singer of the World competition, talks about his role in the Royal Opera's production of Britten's &lt;em&gt;Owen Wingrave &lt;/em&gt;in the Linbury Studio Theatre:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/imbrailo.htm"&gt;www.musicalcriticism.com/interviews/imbrailo.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-3194144080165681873?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/3194144080165681873/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=3194144080165681873&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3194144080165681873'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3194144080165681873'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/jacques-imbrailo-on-owen-wingrave.html' title='Jacques Imbrailo on Owen Wingrave'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-3729984826578339519</id><published>2007-04-18T11:55:00.000-07:00</published><updated>2007-04-18T11:57:18.225-07:00</updated><title type='text'>ENO announces the 2007-8 Sky Arts Season</title><content type='html'>English National Opera has announced details of their 2007-8 season, which is sponsored by Sky Arts as part of a unique £5 million, six-year deal. The eleven new productions and three revivals include &lt;em&gt;Aida&lt;/em&gt;, &lt;em&gt;Carmen&lt;/em&gt;, &lt;em&gt;The Turn of the Screw &lt;/em&gt;and &lt;em&gt;Der Rosenkavalier&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;For more details see &lt;a href="http://www.musicalcriticism.com/news/eno-2007.htm"&gt;www.musicalcriticism.com/news/eno-2007.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-3729984826578339519?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/3729984826578339519/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=3729984826578339519&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3729984826578339519'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/3729984826578339519'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/eno-announces-2007-8-sky-arts-season.html' title='ENO announces the 2007-8 Sky Arts Season'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-6568179287291737649</id><published>2007-04-17T10:58:00.000-07:00</published><updated>2007-04-17T10:59:55.637-07:00</updated><title type='text'>Andras Schiff and Friends talk about the QEH's Bartok Festival</title><content type='html'>A special preview feature with interviews and commentary on the forthcoming Bartok festival curated by Andras Schiff at the Queen Elizabeth Hall:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/schiff-feature.htm"&gt;www.musicalcriticism.com/news/schiff-feature.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-6568179287291737649?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/6568179287291737649/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=6568179287291737649&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6568179287291737649'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6568179287291737649'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/andras-schiff-and-friends-talk-about.html' title='Andras Schiff and Friends talk about the QEH&apos;s Bartok Festival'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-2596835492744649347</id><published>2007-04-17T03:43:00.000-07:00</published><updated>2007-04-17T03:44:10.653-07:00</updated><title type='text'>Rossini: Salon Songs</title><content type='html'>Miah Persson and Bruce Ford sing Rossini songs at the Queen Elizabeth Hall:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/rossini.htm"&gt;www.musicalcriticism.com/concerts/rossini.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-2596835492744649347?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/2596835492744649347/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=2596835492744649347&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2596835492744649347'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2596835492744649347'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/rossini-salon-songs.html' title='Rossini: Salon Songs'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-2546947319221521717</id><published>2007-04-12T05:29:00.000-07:00</published><updated>2007-04-12T05:31:19.693-07:00</updated><title type='text'>Satyagraha, Nicole Cabell, Maria Stuarda, Nina Stemme's Strauss</title><content type='html'>Review of the UK premiere of Glass' Satyagraha:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/satyagraha.htm"&gt;www.musicalcriticism.com/opera/satyagraha.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Nicole Cabell's sensational debut CD:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/cabell.htm"&gt;www.musicalcriticism.com/recordings/cabell.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Opera Rara: Mercadante's Maria Stuarda, regina di Scozia:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/maria.htm"&gt;www.musicalcriticism.com/recordings/maria.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Nina Stemme: Strauss' Four Last Songs:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/strauss.htm"&gt;www.musicalcriticism.com/recordings/strauss.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-2546947319221521717?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/2546947319221521717/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=2546947319221521717&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2546947319221521717'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/2546947319221521717'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/satyagraha-nicole-cabell-maria-stuarda.html' title='Satyagraha, Nicole Cabell, Maria Stuarda, Nina Stemme&apos;s Strauss'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-7619072830055927292</id><published>2007-04-06T19:05:00.000-07:00</published><updated>2007-04-06T19:06:16.455-07:00</updated><title type='text'>Jose Cura interview</title><content type='html'>Jose Cura talks about his role in Verdi's Stiffelio - and his desire to play the title role in Britten's Peter Grimes:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/cura.htm"&gt;www.musicalcriticism.com/interviews/cura.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-7619072830055927292?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/7619072830055927292/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=7619072830055927292&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7619072830055927292'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7619072830055927292'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/jose-cura-interview.html' title='Jose Cura interview'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-7477447695367960352</id><published>2007-04-04T05:50:00.000-07:00</published><updated>2007-04-04T05:52:21.411-07:00</updated><title type='text'>The Royal Opera announces the 2007-8 season</title><content type='html'>The Royal Opera has announced the 2007-8 season, including new productions of Verdi's Don Carlo and Strauss' Salome, as well as returns for La traviata, Carmen, Simon Boccanegra, Le nozze di Figaro, The Magic Flute and Tosca.&lt;br /&gt;&lt;br /&gt;For more info, see:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/roh-2007.htm"&gt;www.musicalcriticism.com/news/roh-2007.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-7477447695367960352?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/7477447695367960352/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=7477447695367960352&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7477447695367960352'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/7477447695367960352'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/04/royal-opera-announces-2007-8-season.html' title='The Royal Opera announces the 2007-8 season'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-1723917517910230759</id><published>2007-03-31T09:26:00.000-07:00</published><updated>2007-03-31T09:28:08.353-07:00</updated><title type='text'>Royal Opera Double Bill: L'Heure espagnole and Gianni Schicchi</title><content type='html'>Read the review in full here:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/double-bill.htm"&gt;www.musicalcriticism.com/opera/double-bill.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-1723917517910230759?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/1723917517910230759/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=1723917517910230759&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1723917517910230759'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1723917517910230759'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/03/royal-opera-double-bill-lheure.html' title='Royal Opera Double Bill: L&apos;Heure espagnole and Gianni Schicchi'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-1783207967403483188</id><published>2007-03-29T02:10:00.000-07:00</published><updated>2007-03-29T02:15:08.564-07:00</updated><title type='text'>Edinburgh Festival 2007-8 Preview</title><content type='html'>Finally announced, this year's festival features a string of operas and concerts on themes that go to the very heart of the business of making music:&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/edinburgh-2007.htm"&gt;http://www.musicalcriticism.com/news/edinburgh-2007.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Also of interest: the new season at the Royal Festival Hall:&lt;br /&gt;&lt;a href="http://www2.blogger.com/www.musicalcriticism.com/news/sbc-2007.htm"&gt;&lt;a href="http://www.musicalcriticism.com/news/sbc-2007.htm"&gt;http://www.musicalcriticism.com/news/sbc-2007.htm&lt;/a&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-1783207967403483188?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/1783207967403483188/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=1783207967403483188&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1783207967403483188'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/1783207967403483188'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/03/edinburgh-festival-2007-8-preview.html' title='Edinburgh Festival 2007-8 Preview'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-6291305708088251547</id><published>2007-03-27T15:56:00.000-07:00</published><updated>2007-03-27T15:59:55.601-07:00</updated><title type='text'>Update: Holl/Schiff, Barbican Preview et al</title><content type='html'>New and recent articles of interest:&lt;br /&gt;&lt;br /&gt;Schubert Lieder at QEH with Robert Holl and Andras Schiff&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/holl-schiff.htm"&gt;http://www.musicalcriticism.com/concerts/holl-schiff.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Great Performers at the Barbican Preview 2007-8&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/barbican-2007.htm"&gt;http://www.musicalcriticism.com/news/barbican-2007.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Interview with the mezzo-soprano Christine Rice on her forthcoming ROH role&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/interviews/rice.htm"&gt;http://www.musicalcriticism.com/interviews/rice.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Simon Rattle's new recording of Brahms' German Requiem&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/brahms-requiem.htm"&gt;http://www.musicalcriticism.com/recordings/brahms-requiem.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Opera Holland Park's eclectic Summer 2007 Preview&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/news/ohp-2007.htm"&gt;http://www.musicalcriticism.com/news/ohp-2007.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The LSO's new recording of Sibelius Symphony No 2 and Pohjola's Daughter with Colin Davis&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/recordings/lso-sibelius-2.htm"&gt;http://www.musicalcriticism.com/recordings/lso-sibelius-2.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Bryn Terfel and Sarah Connolly at the Barbican&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/concerts/bbcso-terfel.htm"&gt;http://www.musicalcriticism.com/concerts/bbcso-terfel.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Tempest at the Royal Opera House&lt;br /&gt;&lt;a href="http://www.musicalcriticism.com/opera/tempest.htm"&gt;http://www.musicalcriticism.com/opera/tempest.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-6291305708088251547?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/6291305708088251547/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=6291305708088251547&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6291305708088251547'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/6291305708088251547'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/03/update-hollschiff-barbican-preview-et.html' title='Update: Holl/Schiff, Barbican Preview et al'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8350551847958691321.post-4770520282118252597</id><published>2007-03-27T15:52:00.000-07:00</published><updated>2007-03-27T15:54:41.886-07:00</updated><title type='text'>Welcome</title><content type='html'>Welcome to Musical Criticism: the blog.&lt;br /&gt;&lt;br /&gt;Here you'll find links to all our latest reviews, news stories, features and interviews covering a wide range of concerts and opera.&lt;br /&gt;&lt;br /&gt;Please join us at &lt;a href="http://www.musicalcriticism.com"&gt;www.musicalcriticism.com&lt;/a&gt; now to see what we're up to!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8350551847958691321-4770520282118252597?l=musicalcriticism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://musicalcriticism.blogspot.com/feeds/4770520282118252597/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8350551847958691321&amp;postID=4770520282118252597&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4770520282118252597'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8350551847958691321/posts/default/4770520282118252597'/><link rel='alternate' type='text/html' href='http://musicalcriticism.blogspot.com/2007/03/welcome.html' title='Welcome'/><author><name>Dominic McHugh</name><uri>http://www.blogger.com/profile/03665729729753038349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
